In this Vogue article about the influence of punk, which
will feature in Metropolitian Museum of Art’s exhibition “Punk: Chaos to
Couture.” Punk, the author believes, is like a competitive sport of who can be
the most outrageous and therefore show the most dedication to the form. The
author then tells a story of his own discovery of punk and of one of his “punk”
friends. He extends this to other “punk” celebrities today, include Madonna and
Lady Gaga, who are characterized by the sometimes inappropriate things they do
or wear to that grabs attention to show a context of what punk is. This punk
subculture is derived from punk music, which started in about 1975. Punk
fashion is characterized by clothes with outrageous symbols and leather or
vinyl clothing. The author probably wrote this article to inform people about
what punk, which many older people associate with hooliganism, really is. He
says, “Every now and then I hear myself mutter under my breath, “That is so
punk rock.”… Sometimes it’s an acknowledgment of heroism, sometimes nihilism.”
The point about punk is that it goes against the established order and is meant
to shock. It shouldn’t be seen as bad; it’s merely another form of expression.
The audience would probably be adults, because they may have less of an understanding
of what punk is than teens. Throughout this article, the author uses anecdotes
and allusions to achieve his purpose. For example, he characterizes his punk roommate,
Mortimer, as someone with stereotypical “punk” qualities, like his Mohawk. But
he also describes how during a Chistrmas party Mortimer wrapped himself with
Christmas lights attached to a long extension cord so that they actually lit
up. This makes it appear that punk is a way of creative, unfettered thinking.
He also alludes to the movie Edward Scissorhands to describe a physical appearance.
I believe that the author did achieve his purpose, because he certainly made me
reconsider what my image of punk is. When I think of punk I think of the music
and clothes, but the author mentions little of either in his article. Instead,
he focuses on the relationship between punk and the public and the purpose of
this culture. Van Meter started his career writing for the Atlantic City
magazine. Since then, he has written for Vanity Fair, The New Yorker, and many others. Van Meter was the former
editor-in-chief of the Vibe magazine, which focuses on street music culture.
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